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PortraitFull time carer, part time author, reviewer and columnist for DVD Reviewer and MyReviewer.com.

I'm serious about everything I do, but not necessarily how I do it.

Passionate about classic movies and archive television and the belief that entertainment should be fun.

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Forums - Social Networking Godsend Or Work Of The Devil?
Sunday, 20th September 2009, 16:47

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I really have to clean up my act. I spend way, way too much time on the internet interacting in a bunch of forums with - what I hope are - like minded souls. On the one hand, in the main my fellow forumites are friendly, empathetic souls I can discuss all kinds of topics with. The DVD.Reviewer and MyReviewer forums are wonderful places for a chat, although I have to admit that for a good old-fashioned, nerdy technical discussion they leave quite a bit to be desired. But then that's why I also frequent other forums. Most of them are friendly as well, but there are one or two where one has to tread extremely carefully so as not to upset the insiders.

My current domestic situation keeps me from a full and proper social life - I have to be available 24/7 as a carer, and I would not trust the local social services to adequately tend to the needs of a house brick. So for me, the internet is a valuable social tool.

For the naysayers who would argue that face-to-face social interaction is much better than the remote interaction of the internet, I would say that you get no argument from me, but I think interaction on the internet has to be carried out far more carefully and diplomatically than face-to-face because there are no physical cues such as tone-of-voice or body language to rely on.

This is, of course, where the problem lies. A great many forum users don't particularly give much thought to communicating tone and intent other than through the use of smileys or other emoticons. Either that or they're just plain bloody rude.

I find industry insiders the worst. No names, no pack drill, but you can assume I mean the film/television/DVD industry. They're a fascinating, knowledgeable, expert resource to interact with, as long as you stay on the right side of them. But if you make a statement that they see as presumptuous - displaying knowledge they don't think you as an industry outsider should have - they'll shoot you down in flames. And in the most belittling, condescending, arrogant manner possible. And it'll usually be either a semantic matter or a viewpoint that they don't think is worth the time of day.

I'm not an advocate of starting a fight and getting banned from a site. I'm more inclined to log off and go away to cool down, or occasionally vent my spleen elsewhere. Hence this blog.

I'm sitting here, staring out at a lovely sunny Sunday afternoon in September, wondering why I spend so much time on forums. I suppose I'm lucky I haven't got hooked on chatrooms, Twitter, Facebook and the rest. While I'm dispensing my pearls of wisdom and wit (occasionally to swine) on the internet, I could be getting on with writing my novels, doing the garden, cleaning the toilet or any number of more rewarding activities.

I need to get out more.

Posted by Mark Oates

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Home Sweet Home
Thursday, 2nd July 2009, 18:48

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Come on in!  Sit yourself down and cut yourself a slice of cake!*

After nine years and three months stinking out DVDReviewer, I've decided it's time for a change of scenery and a change of web presence.

Over that past nine years, I've probably been on DVDReviewer at least once a day, and I've seen it change.  I've seen familiar names come and go, colleagues join the magic band of pixies that write the reviews none of the forumites ever read, and other colleagues wander off to do something more interesting after a while.

DVDReviewer has always been a special place on the web for me.  It was never as hostile as AICN (what is?), as snooty as DVDTimes, as insidery as Roobarb's or as anal as the Home Theater Forum.  All right, so you couldn't have a good techy discussion without somebody threadfarting a nerd alert or hijacking the thread to discuss the football, but it was always a friendly, chummy sort of place where you could share your troubles and there was always a sympathetic ear.

Was. 

I'm hoping that the spirit of the old DVDReviewer can be found here at MyReviewer and the Sprocket Hole.  I'm going to concentrate all of my efforts on making more frequent blog entries and on a wider range of topics than just DVDs and old movies and television.  I'm still going to write the odd review - the odder the better - and make passing comment on current affairs. All the sorts of things I used to do on the DVDReviewer forums.  That will include the very occasional obituary in tribute to a personally respected personality which had better not degenerate into a series of catty and irrelevant comments about one role in their career.

*"Sit yourself down and cut yourself a slice of cake" was something of a catchphrase for my old maternal great-grandfather.  Whenever one of my grandad's sisters would bring home a feller, he'd greet them with the line, and chortle to himself as the unfortunate suitor would look around for the non-existent cake.

I come from a long line of nutters.

Posted by Mark Oates

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ChangesPosted by Sue Davies on 3-7-2009 15:19

Well hello there. I love a tea and cake meeting and as its Friday I have been indulging in a spot of radio SF.
Just finished listening to the third Torchwood play for Radio 4 and now listening to the new Lost in Space play which debuted on radio 4 last Saturday.
Can't wait for the lovely 5 days of Torchwood coming up.
I think I might like to rejoin you old-bloggers on this lovely site.
Good times we had...
pass the sandwiches love...

ChangesPosted by Mark Oates on 3-7-2009 18:35

Crustless white bread and cucumber sliced on a microtome?  Welcome home, Sue, lovely to see you.

I miss a lot of the stuff on the radio because of timing.  The Lost In Space play sounded interesting because I've been chasing up the old telly show with Jonathan Harris and the Robot.  Checked the Radio Times.  Journey into Space.  Oops. Grinning  Still very interesting - one of the earliest bits of British sci-fi.  Real Dan Dare stuff.

I'd like to see more retro-sci-fi.  I think the sci-fi of Star Trek, Star Wars and the heavy metal stylings of stuff like Alien has had its heyday and it's time for something different.  I've been introduced to the delights of steampunk by the bods over at Roobarb's - stuff like League of Extraordinary Gentlemen - but I'd also like to see more stuff styled like kitsch 1950s sci-fi.  I've just picked up a model of Forbidden Planet's Robby The Robot from Play as a bit of inspiration.

Roll on Monday and the start of Torchwood week.

ChangesPosted by Jitendar Canth on 3-7-2009 19:17

Ah Steampunk!

I used to love the Chaos Engine on my Amiga once upon a time. I'm going to recommend an anime, but before you scream and hide, it's right up your alley, once you get past the daft movie and character names. It's called Steamboy. I've reviewed it on the site, if you're in the mood for excessive prose.

But Steamboy is made by Katsuhiro Otomo, who made Akira, but this is more family friendly. It's set in an alternate Victorian age, where steam power is researched to a greater degree. Aside from the fact that it's animated, it's not like a lot of other anime, instead it has a very Hollywood heart to it, playing out more like a James Bond film. Also, it's one of those rare anime where I prefer the English dub, and with actors like Patrick Stewart and Al Molina voicing the characters, it has an authenticity to the British setting.

As for other steampunk, I can only think of LXG and Wild Wild West, which to put it diplomatically, were disappointing. As for kistch 50's sci-fi, it's been a while since I've seen Mars Attacks. You've also just reminded me of one of my fave sci-fi movies when I was a little boy, Robinson Crusoe on Mars.

ChangesPosted by Mark Oates on 3-7-2009 23:49

Oddly, I think the narrative of LXG the movie works better than Alan Moore's original graphic novel - which tends to go oversensational rather than holding down a proper narrative.  I think the movie was crippled by a lead (Connery) who hadn't got a clue what he was doing there, and had the hates for his director.

Wild Wild West had possibilities, but had been hijacked by Will Smith, who was doing for the 1990s what Eddie Murphy was doing for the 1980s - hijacking completely unsuitable projects as starring vehicles.  I also think Kenneth Branagh's villain was a huge mistake.

I've been reading a couple of anthologies of Steampunk short stories - Steampunk, and Extraordinary Engines.  They're interesting, but they lack whimsy which I think is very important in a story.

I'll keep an eye out for Steamboy.

EDIT: Went looking for Steamboy and found only the theatrical cut in the bargain buckets - around a £5er.  Looks like the DC is OOP, or only available for silly money from Amazon Marketplacers.

ChangesPosted by Sue Davies on 4-7-2009 07:57

Oh dear I had a Lost in Space moment...there goes my street cred...luckily I never had any...I do love Robbie the Robot as well...there is no hope for me next week with Torchwood on every night...luckily for him Rob is away or he'd be driven mad by it.

Steampunk is a strange genre or should I say sub-genre. With my SF Crowsnest hat on I read a couple of Steve Hunt's books and I think he has finally made it into Waterstones now but I is not character led so I enjoy the jolly tale but don't get emotionally caught up in it.
Can I come back and be your grumpy old woman on here?

Sue
x

ChangesPosted by Jitendar Canth on 4-7-2009 10:34

Mark, the Region 1 DC of Steamboy is still available. Try DVD Pacific where it will be just over a tenner with postage, or £11 delivered from PlayUSA, although it doesn't come with all the fancy artbooks and cels that the UK SE did.

ChangesPosted by Stuart McLean on 4-7-2009 10:48

Knock knock. Only me (steps in and helps himself to a digestive).

I think the very finest movie to capture this pre-war Buck Rogers 'airships and steam powered industry' angle of sci-fi is the breath-taking (and grossly under-rated) 'Casshern'. I picked this Japanes movie up for under £3.00 - and WOW!! Talking about a complete visual feast! Apparently produced in a modest budget, the movie exudes production value rarely seen in anything other than multi-million dollar block-busters. Although it occasionally looks like a very cleverly directed pop video, and is a bit ponderous, I'd say this was one of the finest movies I saw last year and thoroughly recommended.  (Currently £0.78 used on Amazon marketplace for 2 disc special)

(Reaches for second digestive...)

ChangesPosted by Mark Oates on 4-7-2009 22:48

Sue, you're neither grumpy nor old, but you're always welcome here in the Sprockethole.

Jitendar - I've picked up the Theatrical Cut from Sendit for £4.89, and I'll keep an eye out for a cheap copy of the DC.

Stuart - Casshern, eh?  I shall investigate.

Next time I'll bring Jaffa Cakes. Winking

ChangesPosted by Sue Davies on 5-7-2009 20:25

I love jaffa cakes and if pressed might admit to eating a whole pack myself.

It's good to see lots of classics and good stuff being reviewed here-we did get sent some steaming piles of crap in the old days.

You're all doing very well as Mr Grace used to say...the less said about Mrs Slocumbe's pussy the better...

ChangesPosted by Stuart McLean on 8-7-2009 20:25

Casshern 2 disc currently a mere £1.99 at Play...

ChangesPosted by Si Wooldridge on 8-7-2009 23:12

Ordered...

ChangesPosted by Mark Oates on 9-7-2009 00:16

Ditto.

Still waiting for Sendit to ship the Steamboy single-discer.

ChangesPosted by Jitendar Canth on 9-7-2009 10:38

Just perfect,

My card gets frauded, so I have to cancel it and order a new one, London goes on a postal strike for three days, just when the summer sales start in earnest.

Someone's trying to tell me something, and I'm trying desperately to ignore them.

ChangesPosted by Stuart McLean on 9-7-2009 13:38

Re: Casshern: I'll be interested to hear what you think of it. unlike 'Buck Rogers' / 'Flash Gordon' etc, it's played without a sense of kitsch irony ...it's actually very poetic, though some accused it of being a bit slow. I thought it was fantastic...but then I hadn't had a fellow reviewer hype up my expectations!

Jits - do you want me to order it and send it on?

I'm happy to do the honours though will need your address again. I'm away for a couple of weeks but I think I could get it sent directly to you?

ChangesPosted by Jitendar Canth on 9-7-2009 15:31

Stuart,

Incoming transmission from the Big Giant Jit

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Who Said Print Was Dead??
Wednesday, 27th May 2009, 23:29

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Say hello to my leedle friend.

This is currently my favourite toy. The Sony E-Reader PRS-505. About the same size and weight as an A5 Diary, it is for an old sci-fi whore like me, the implementation of The Hitchhiker's Guide To The Galaxy. The only thing missing from the beige, faux-leather outer cover are the words "Don't Panic" in large, friendly letters, and that is the work of five minutes with a pack of self-adhesive letters.

Electronic Book Readers are a growing breed of devices that promise to change the way we read. There are, so far, a handful of first or second generation devices on the market. The most advanced of the breed, Amazon's Kindle, in any of its incarnations is typically unavailable outside the US. The main reason for this is the device's Wi-Fi operability - the device downloads content directly from the web via Whispernet. A similar deal in the UK would have to be brokered with somebody like 3 Mobile, and a UK-specific model of the reader would have to be manufactured so there's probably more likelihood of Miss Piggy breaking the sound barrier. At around $350, (£300ish), the Kindle is also the most pricey of the electronic book readers.

The closest competitors come in around the £200 mark, which makes the technology still fairly pricey but within the scope of other similar gadgetry like PDAs, GPS and the like. Of the competitors, the most widely available in the UK is the Sony E-Reader PRS-505. All the usual suspects carry stocks, with Play.com currently offering the best price of £179.99 - although they no longer offer the external PSU as a freebie which they were doing up to a week or so ago. The PSU will now set you back around £30, but it does mean you can charge the reader in two hours rather than four and you can use it while charging which you can't if you charge via the USB cable.

As regards looks, the Sony E-Reader comes with solid aluminium bodywork which makes the device feel really robust. The controls are pretty simple - a spring-loaded slide on/off switch on the top (similar to an MP3 player, you cock it like a gun rather than switching it on or off). Ten menu buttons down the right hand side of the display, two sets of page-turn buttons forwards and backwards on the front of the reader, a zoom button for changing font sizes and a bookmark button. There's also a straightforward up-down-left-right-and-enter control button on the front of the reader. On the bottom edge of the device is the mini USB connector, the PSU socket and a socket and rocker volume control for a pair of earphones as the E-Reader also plays MP3s. You can read and listen to music at the same time.

The basic model E-Reader in plain silver looks terrific, but there is a designer scarlet version available from John Lewis for about £225.

The BeBook is the closest competitor to the Sony E-Reader, although reports of the build quality are disappointing in comparison. The BeBook has a black plastic body compared to the Sony's metal. At £230, it's pricier than the Sony, but can handle a few more file formats. The device itself is a rebadge of the Chinese Hanlin E-Book Reader.

There are a couple of other devices, but they are harder to get hold of, and tend to be more expensive as well.

All of them have the air of Captain Picard's PADD - a smallish (six-inch) display using the new E-Ink technology. The E-Ink display has the look and feel of one of those "magic pad" drawing toys - a sticky translucent sheet on a slightly oily black backing - when you drew on the film, it stuck where you had pressed to the black backing. When you wanted to start again, you peeled the film off the backing again and the image "magically" vanished. You don't of course peel off the E-Ink display, but it has the same light-grey look. Contrast levels with E-Ink have been one of the problems inherent in the technology, with a "paper-white" display still not achievable. Some early adopters have bemoaned the lack of a backlight on the display, but the inclusion of a backlight would negate the power-savings made by the E-Ink display. A colour display is also a while away.

Battery-life is the big eye-opener of the electronic book readers. Because E-Ink only requires power to redraw the display, the battery life is talked about in page-turns rather than hours. The Sony and the BeBook - its closest competitor - both have battery charges of around 7000 page-turns (or War and Peace five times cover to cover). In practice, the battery seldom seems to discharge fully, as it tops up to full capacity fairly rapidly while transferring content over the USB link.

I'd hate to get into an Egon-Spengler-type argument that "Print Is Dead", because it obviously isn't - the paperless office never happened (if anything the reverse happened), and if you're absolutely honest the E-Reader emulates the whole reading-off-paper paradigm rather than being some whiz-bang screen-graphic experience.

The great thing about the E-Reader is that you can put a ton (literally) of content on the thing, and depending on your reading tastes cheaply or completely free. According to Sony's own blurb, their E-Reader has a capacity of 160 eBooks. That's undoubtedly eBooks in Sony's proprietorial file formats LRF and LRX, because I've managed to pack 320 eBooks on to my E-Reader in a combination of ePUB and RTF formats, and I still have around 50Mb of the 210Mb capacity free. In anybody's money, 320 books would make anybody's book shelves creak.

And that's just the internal flash memory. On the top edge of the device, next to the on/off switch, are two memory card slots - an SD card slot which can take up to a 2Gb card, and a Sony Memory Stick Pro Duo slot rated up to 16Gb - which would roughly be 32,000 books based on my average file sizes.

The E-Reader hooks up to your computer using a USB 2.0 cable, which enables it to charge up fully in four hours, and which keeps the permanent Li-Ion battery topped up fully when you upload books to the device. Your computer sees the device as three removable drives - the internal memory, the SD card slot and the MS card slot.

When you get the E-Reader, it comes with Library software which enables you to load eBook files on to the device. It also interfaces with Sony's E-Book store in the US, but only if you live there. UK residents have to deal with Waterstone's. Also in the box is a CD of 100 Classic books (in LRF format) - everything from Aesop's Fables to the Works of William Shakespeare. The device itself comes preloaded with three or four books (a thriller and a couple of Mills and Boon romances and a few excerpts from other books) to get you started.

Sony has a deal with Waterstone's for buying content for the E-Reader, but the eBook prices are very close or identical to the price of the printed book which might put some people off.

You can, however, fill the E-Reader for free if you know where to look. There are a number of digital libraries on the web, offering copyright lapsed works and public domain works. If you fancy boning up on the classics, for instance, you can do that for free. For my money, the best free book resource on the web is Project Gutenberg - the original electronic library. Wiki it.

Like music and movies, there are also bootlegs of more modern, copyrighted works if you know where to look, but I'm not telling you.

You can also read PDFs on the E-Reader, but print sizes can look pretty weird, and the layout can go completely bananas. Heavily illustrated documents such as instruction books cannot be zoomed satisfactorily and subsequently are difficult to read. I'm inclined to convert PDFs to plain text whenever possible and then reformat them in RTF format.

What really gets my creative juices flowing is the prospect of using the device as a proofreader for my own writings. Suddenly I don't need to hunch over a computer screen to read my writings back, or print out reams of paper. I can simply drag and drop the file (in RTF format, which I can set Word to use as the default file format). As long as I size the text to 16 to 18pt, it appears on the E-Reader perfectly. You can, of course size the text smaller, but the smaller the text the harder it is to read. Given the battery life of the E-Reader and the ease of use, it's a closer experience to reading a book than reading text off a screen.

Posted by Mark Oates

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ChangesPosted by Robert John Shepherd on 28-5-2009 12:18

Shame about the poor PDF implimentation, that would really make it interesting for me. Sad The iPhone is amazingly fast and usable when it comes to PDF, but the screen size is the limiting factor which makes reading that kind of content on it a bit tiresome.

ChangesPosted by Stuart McLean on 28-5-2009 21:18

I'd be really interested if it handled electronic comic formats like cbr files (or cbz) and displayed them in a readable size. Does it do this Mark? (I happened upon a treasure trove of TV21 / TV Comics and can't stop reading them though the laptop is a bit cumbersome for this sort of thing!)

ChangesPosted by Mark Oates on 28-5-2009 23:15

ISTR you can use Calibre, a freeware library tool (Wiki it) to convert cbrs to a readable format.  Haven't tried it myself yet.

UPDATE:  Tried it out myself and the results look absolutely terrible.  The cbr file has to be converted to ePUB format, which takes a couple of minutes per file.  The results can be viewed landscape or portrait, but not zoomed which is a huge disappointment.  The images are rendered, of course, in greyscale rather than colour which makes them look very muddy, and lettering is almost indecypherable.  For viewing comics, the E-Reader is not the answer, but I'll bet a lot of problems will be addressed in later models with larger (A5 or A4) displays.

With PDF files (which I personally consider the work of Beelzebub), there are issues with DRM as well as navigation problems.  Even in a simple document with just text, there's no text flow like you get with other file formats - it's like working with a plain ASCII file with hard returns at the end of each line - the moment you change type sizes the lines go haywire.

As much as I'm a fan of the Sony E-Reader, I'm not blind to its shortcomings.  Changing type-sizes for legibility isn't very well handled, the filing system's atrocious and there are a dozen other niggles I could come up with.  As a first generation implementation of a concept, however, it's a winner and I can't wait to see the next generation of these devices, although I hope Sony skips trying to flog the PRS-700 with its touch screen in the UK and moves on to a new model that fixes all the odd little problems.

Either that or Amazon pulls out its corporate finger and gets the Kindle on sale here.

Incidentally a cbr file is just a rar file of jpgs - and cbz files are zip files of jpgs - news to me, but it means you can convert any set of images into a magazine by simply zipping the jpgs and changing the file extension to cbz.  Cool.

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